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In the 1970s and 1980s, before he earned national acclaim for his award-winning novels, Pete Dexter was a newspaper columnist. Every week, in a few hundred words, Dexter cut directly to the heart of the American character at a time of national turmoil and crucial change. With haunting urgency, his columns laid bare the violence, hypocrisy, and desperation he saw on the streets of Philadelphia and in the places he visited across the country. But he reveled, too, in the lighter side of his own life, sharing scenes with the indefatigable Mrs. Dexter, their young daughter, and a series of unforgettable creatures who strayed into their lives. No matter what caught Dexter's eye, it was illuminated by his dark, brilliant humor. Collected here for the first time are eighty-two of the best of those spellbinding, finely wrought pieces-- with a new introduction by the author-- assembled by Rob Fleder, editor of the bestselling "Sports Illustrated 50th Anniversary Book," "Paper Trails" is searing, heart-breaking, and irresistibly funny, sometimes all at once. As Pete Hamill says in his foreword, these essays "are as good as it ever gets."
DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.
Warren Spooner was born after a prolonged delivery in a makeshift delivery room in a doctor's office in Milledgeville, Georgia, on the first Saturday of December, 1956. His father died shortly afterward, long before Spooner had even a memory of his face, and was replaced eventually by a once-brilliant young naval officer, Calmer Ottosson, recently court-martialed out of service. This is the story of the lifelong tie between the two men, poles apart, of Spooner's troubled childhood, troubled adolescence, violent and troubled adulthood and Calmer Ottosson's inexhaustible patience, undertaking a life-long struggle to salvage his step-son, a man he will never understand.
Train is a 18-year-old black caddy at an exclusive L.A. country
club. He is a golf prodigy, but the year is 1953 and there is no
such thing as a black golf prodigy. Nevertheless, Train draws the
interest of Miller Packard, a gambler whose smiling, distracted air
earned him the nickname "the Mile Away Man." Packard's easy manner
hides a proclivity for violence, and he remains an enigma to Train
even months later when they are winning high stakes matches against
hustlers throughout the country. Packard is also drawn to Norah
Still, a beautiful woman scared in a hideous crime, a woman who
finds Packard's tendency toward violence both alluring and
frightening. In the ensuing triangular relationship kindness is
never far from cruelty.
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